Gather ye rosebuds while ye may

Gather ye rosebuds while ye may,
Old Time is still a-flying;
And this same flower that smiles today,
Tomorrow will be dying.

It’s not often a home tour is started with a poem, but it’s fitting for this one. Part of a modernist- development built in the 1950s, the different blocks were named after poets. The one below is named after the 17th century English poet, Robert Herrick. 

This is a really beautiful tour to break a long hiatus for. It’s lovingly decorated and restored – details like the ribbed glass internal doors were kept true to the original form. 

One thing to note in the floor plan is the store room before the entrance of the property. This would almost certainly have been used to store coal, and highlights the history of this place.

The South London home of steel

Visit Dulwich, and you’ll find brick homes. Dulwich village, which I visited recently for the Edward Bawden exhibition, even has a semi-rural feel to it. In short, when you’re walking about in this area you don’t expect to see a modern house made of steel, concrete, and a luminous thermoplastic.  And you don’t. The house is obscured from the street – nested in a central courtyard and former brickyard behind other houses. From the street you only see an unassuming metal gate.

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Kent’s Mid-century treasure

Whilst Gerald Beech is best known for the Liverpool house Cedarwood – a prototype for future estates that drew tens of thousands of visitors but never saw mass-production – the architect also built another gem on the other end of the country. Broadstairs, in Kent, is a mid-century time capsule.

Broadstairs, built in the early 60s, was created for a family downsizing from a large and ‘stiff’ 18th century manor. The brief was to create “a more manageable home which still retained a sense of space”. In ‘The Architect & Building News’ journal, a critic wrote of the high central ceiling:

“the extension of part of the living room through two floors has created a strong element of vertical space which is apparent from all parts of the house and, with the stairway and bridge link pass through it, the accommodation on the first floor becomes an entity with the ground floor”

Later the same critic wrote of the way structural elements had been used to frame the divide between different areas:

“Exposed joists and beams have been used, and by giving careful consideration to their positions and direction of run, this structure is dominant in the spatial idea… The provision of such a modular discipline in the structure at an early stage during the building operation did much to encourage exact craftsmanship by the building operatives”

The front exterior is relatively modest and opts more for privacy than anything else. We start with the kitchen and dining area below.

Moving into the central living area we can see the space really does open up.

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Moving upstairs, we note a transition from the main living room to the bedrooms, and here a change of character. The house goes from being quite open downstairs and along the walkway, to more sheltered and snug.

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The gallery wall links the open living area – stretching the theme upstairs.

Image source is The Modern House, Streetview can be found here. I’ve created a map below for reference.

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Manygate lane: the secret mid-century estate in South London

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In a quiet commuter suburb of London, you can find a group of houses that more closely resembles midcentury Denmark or Sweden, than postwar England. The estate, built in 1964/5, was one of very few experiments of modernist housing by the private sector in Britain.

Designed by Swiss architect Edward Schoolheifer (employed by the Lyon Group), the houses are each internally arranged around a central ‘hub’ that includes the main living areas and very high and open glass windows. This follows the mid-century modern concept of blurring the division between inside and outside as it creates a very strong visual link to the garden.

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When the houses were completed they cost approximately double the average price for a three-bed house in London (£3,500). The proximity to Shepperton studios meant that it’s had a few star-studded residents, including Tom Jones (pictured outside his house), the singer Dickie Valentine (whose unfortunate car crash inspired a novel by the local JG Ballard), and rentals from Marlon Brando, Rod Steiger and Julie Christie. Scroll down or click through for two photo sets from houses recently sold in the area.

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A Swiss retreat with a neutral palette

For the first home tour of the year, we’re heading to Switzerland to a recently remodelled 17th century Alpine retreat – the Andermatt Chalet. Andermatt is high up in the mountains, at a 1500m elevation, and surrounded by mountains around 3000m high.

The place not only has a neutral palette, but also a neutral blend of old and new – with the interior designed by Jonathan Tuckey, a firm once described as ‘[able to mix] old and new to make defiantly contemporary architecture‘.

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The Christmas Barn

A festive treat this time. This building is modern-era (built 1972), but has some history behind it – hence the unusual name. A rare honour among modern-builds, this house was listed as ‘Grade II’ by Historic England. In a village outside the relatively small but world-renowned town of Cambridge, it’s a perfect mid-century end to the year.

It’s Christmas day here in England. It snowed earlier this month but none today unfortunately. Still rocking the festive spirit though!

 

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Retro to go: a 60s-styled Dorset beach hut

This small but strategically formed home, forms part of a larger estate with an original architect’s house that was built in 1964. The ‘garden house studio’, as the owners call it, was built more recently – in 2010 – as an outlet for the owner’s creativity and love of design. They are currently renting out the space for holidays. This is a short but sweet tour today, as mid-century styles have been very popular recently. Like this style? Check out this slick mid-century airport lounge, or have a peek at an American Cape Cod retreat.

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A classically styled Stockholm home

I’ve been away in Vienna this week. A friend of mine got a job in the diplomat sphere that goes on there (a lot of international organisations known by their acronyms – (OPEC, IAEA, OSCE …) so we were celebrating. And Vienna’s fun in a calm way; plenty of nice cafes, museums, vintage clothes markets, and so on.

But enough about Austria. This week’s home tour is again in the scandi-style capital of Stockholm. It’s much more classically styled than usual, but isn’t fussy or pastiche. I appreciate the simplicity it’s offering. You can also explore the home’s neighbourhood if you’re interested.

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This Swedish apartment effortlessly nails the millennial pink trend

If you’ve got an Instagram account, you’ve probably seen the hype around this colour. Some people call it ‘rose quartz’ or ‘scandi pink’. Some might say there’s scientific evidence of it having a calming effect. From Wes Anderson’s The Grand Budapest Hotel, to high fashion, the soft rosy shade was called the colour of the moment for the Tumblr generation.

I’m back to Scandinavia this week to peek inside this Stockholm flat that takes the trend and puts it in a simple, pared back, domestic setting. No chandeliers or overindulgence. Just a nice looking apartment with a small balcony.

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A must-see before & after conversion in Wiltshire

This is a really impressive makeover of what seems like an incredibly difficult space to work with. Somehow the architectural designer behind this – Ian Hill – managed to make a studio flat with shop attached and a shower in the hallway, somewhere welcoming and spacious to live in. You can see some original thumbnails from what the house used to look like below, before we move on.

The outside has merely been repainted, but it’s what inside that counts. Something I really appreciated was that there wasn’t any large-scale reworking with the actual structure or features of the building; the designer strategically moved a few things around and used lighter colours to complement what the space already had.

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A Welsh house that flows over the river Ysgir

Surrounded by some of the most spectacular hill landscapes in Britain – the Brecon Beacons – this house fittingly was built as a testament to the surrounding landscape. Ty Hedfan (in Welsh, meaning hovering house) is unique, built on a site that slopes down to the meeting points of two rivers – Ysgir Fach and Ysgir Fawr. The dual design problems of a steeply sloping plot, and a no-build zone within seven metres of the river Ysgir, became an opportunity for the architectural firm Featherstone Young, which is known for having a focus on the context and area that surrounds a development.  The house cantilevers over the river bank and into the canopy of the trees, almost hovering as it does.

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A great concept out of an awkward space

Seeing these photos you might be forgiven for thinking that they are from a high-end luxury spa or hotel. Think again. This is the work of Claesson Koivisto Rune architects, built in the top floor of a historic (1800s) Stockholm building. You can see a video of the space here. I like how it’s decorated, quite simply, but in a contemporary style. This gives the architectural features some space to show off.

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Mid-century Cape Cod retreat

Built as a summer house by Paul Weidlinger, the concrete pillars below form a low elevation at the higher end of the slope, but coming closer to the pond the building stilts out at such a height that the building looks like it’s floating over the pond. Open glass in the communal areas, along with the height, make this a perfect place I can imagine just sitting back and viewing nature from. The place was built back in the early 1950s, and was almost demolished until the Cape Cod Modern House Trust (CCMHT) stepped in a few years back. This is our first post back from an extended Summer break – enjoy!

Source: TheModernHouse

A Swedish home with a social focus

This week has been busy, and all the people I’ve been talking to recently have the same impression. Has the good weather inspired a social zeal in my city? Or is this a universal effect of Summer coming? I’ve always been quite introverted though, so meeting a lot of people in quick succession has left me exhausted this Monday morning. A friend sent me this music video to help decompress, and it’s soothing. This week isn’t going to be any quieter, so maybe it’s best I ask for a day off work?

Anyway, this is the reason I chose this apartment from Nooks, because I feel like it’s a very social space. The space that connects the kitchen to the living room was actually opened up, and then shelves were put in between the supporting pillars. It does look stylish, but the reason the owner did this was to be more social and connect the rooms together more for when he had guests over. Max, the owner, also said:

“In the vast majority of home decorating, we focused on the TV, but here in the living room, I wanted instead to the social would be central. The same applies to the dinner table, I chose a round table in order to be able to keep up more with each other. ”

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The Ahm House

This is a treat of a home, designed in the mid-20th century by the Danish architect Jørn Utzon – the very same who designed the Sydney Opera House.  The house has an almost brutalist quality to it, but softened for suburbia; the roof is made up of one strong line that juts out from the flat garden – underlined with thick concrete beams.

In the featured image furniture from Denmark is featured – the country Jørn Utzon is from. I wondered whether to include this image, as it is clearly from a different time to the rest of the house. Is it the same home tour if it shows a ‘before’ picture almost disconnected to what the interior is now? However, I think it is important. The picture shows what kind of interior the architect could have expected at the time that it was being built. Two famous pieces by Arne Jacobsen are shown – the armchair on the left is a Swan chair and the group of armchairs away from the foreground are Egg chairs; what makes this interesting is the muted tones chosen for these chairs – in keeping with the house style. The photos below are shared, with permission, from The Modern House.

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