I’m back to Scandinavia this week to peek inside this Stockholm flat that takes the trend and puts it in a simple, pared back, domestic setting. No chandeliers or overindulgence. Just a nice looking apartment with a small balcony.
This is a really impressive makeover of what seems like an incredibly difficult space to work with. Somehow the architectural designer behind this – Ian Hill – managed to make a studio flat with shop attached and a shower in the hallway, somewhere welcoming and spacious to live in. You can see some original thumbnails from what the house used to look like below, before we move on.
The outside has merely been repainted, but it’s what inside that counts. Something I really appreciated was that there wasn’t any large-scale reworking with the actual structure or features of the building; the designer strategically moved a few things around and used lighter colours to complement what the space already had.
Surrounded by some of the most spectacular hill landscapes in Britain – the Brecon Beacons – this house fittingly was built as a testament to the surrounding landscape. Ty Hedfan (in Welsh, meaning hovering house) is unique, built on a site that slopes down to the meeting points of two rivers – Ysgir Fach and Ysgir Fawr. The dual design problems of a steeply sloping plot, and a no-build zone within seven metres of the river Ysgir, became an opportunity for the architectural firm Featherstone Young, which is known for having a focus on the context and area that surrounds a development. The house cantilevers over the river bank and into the canopy of the trees, almost hovering as it does.
Seeing these photos you might be forgiven for thinking that they are from a high-end luxury spa or hotel. Think again. This is the work of Claesson Koivisto Rune architects, built in the top floor of a historic (1800s) Stockholm building. You can see a video of the space here. I like how it’s decorated, quite simply, but in a contemporary style. This gives the architectural features some space to show off.
Built as a summer house by Paul Weidlinger, the concrete pillars below form a low elevation at the higher end of the slope, but coming closer to the pond the building stilts out at such a height that the building looks like it’s floating over the pond. Open glass in the communal areas, along with the height, make this a perfect place I can imagine just sitting back and viewing nature from. The place was built back in the early 1950s, and was almost demolished until the Cape Cod Modern House Trust (CCMHT) stepped in a few years back. This is our first post back from an extended Summer break – enjoy!
This week has been busy, and all the people I’ve been talking to recently have the same impression. Has the good weather inspired a social zeal in my city? Or is this a universal effect of Summer coming? I’ve always been quite introverted though, so meeting a lot of people in quick succession has left me exhausted this Monday morning. A friend sent me this music video to help decompress, and it’s soothing. This week isn’t going to be any quieter, so maybe it’s best I ask for a day off work?
Anyway, this is the reason I chose this apartment from Nooks, because I feel like it’s a very social space. The space that connects the kitchen to the living room was actually opened up, and then shelves were put in between the supporting pillars. It does look stylish, but the reason the owner did this was to be more social and connect the rooms together more for when he had guests over. Max, the owner, also said:
“In the vast majority of home decorating, we focused on the TV, but here in the living room, I wanted instead to the social would be central. The same applies to the dinner table, I chose a round table in order to be able to keep up more with each other. ”
This is a treat of a home, designed in the mid-20th century by the Danish architect Jørn Utzon – the very same who designed the Sydney Opera House. The house has an almost brutalist quality to it, but softened for suburbia; the roof is made up of one strong line that juts out from the flat garden – underlined with thick concrete beams.
In the featured image furniture from Denmark is featured – the country Jørn Utzon is from. I wondered whether to include this image, as it is clearly from a different time to the rest of the house. Is it the same home tour if it shows a ‘before’ picture almost disconnected to what the interior is now? However, I think it is important. The picture shows what kind of interior the architect could have expected at the time that it was being built. Two famous pieces by Arne Jacobsen are shown – the armchair on the left is a Swan chair and the group of armchairs away from the foreground are Egg chairs; what makes this interesting is the muted tones chosen for these chairs – in keeping with the house style. The photos below are shared, with permission, from The Modern House.