I’ve been away in Vienna this week. A friend of mine got a job in the diplomat sphere that goes on there (a lot of international organisations known by their acronyms – (OPEC, IAEA, OSCE …) so we were celebrating. And Vienna’s fun in a calm way; plenty of nice cafes, museums, vintage clothes markets, and so on.
But enough about Austria. This week’s home tour is again in the scandi-style capital of Stockholm. It’s much more classically styled than usual, but isn’t fussy or pastiche. I appreciate the simplicity it’s offering. You can also explore the home’s neighbourhood if you’re interested.
I’m back to Scandinavia this week to peek inside this Stockholm flat that takes the trend and puts it in a simple, pared back, domestic setting. No chandeliers or overindulgence. Just a nice looking apartment with a small balcony.
In a recent victory for mid-century and retro fans alike, John Lewis has brought out a run of Lucienne Day designed cushions at John Lewis. The reasoning behind this return is twofold. Firstly, John Lewis has something of a history with Day – as she worked as a design consultant with the company for 25 years, ending in 1987. Secondly, it’s the centenary year of Lucienne Day’s birth, and the textiles form part of a retrospective of her life’s work.
The designs are original, such as the Calyx cushion (far right, in image below), which features abstracted flowers and was originally created for the Home Entertainment section of the Homes & Gardens Pavilion at the Festival of Britain in 1951.
There’s already strong demand for this collection, with some items already listed as out of stock. However, at around £50 per cushion, this is a tad more expensive than IKEA or a similar shop. I recently visited Habitat and found quite a few good bargains for cushions with a similar aesthetic. Whilst they’re not on sale right now, it might be a good idea to wait until after Christmas when they’ll inevitably be sales. Last weekend I saw this cushion in a shop for £10, and I’m kicking myself for not buying it there and then.
This is a really impressive makeover of what seems like an incredibly difficult space to work with. Somehow the architectural designer behind this – Ian Hill – managed to make a studio flat with shop attached and a shower in the hallway, somewhere welcoming and spacious to live in. You can see some original thumbnails from what the house used to look like below, before we move on.
The outside has merely been repainted, but it’s what inside that counts. Something I really appreciated was that there wasn’t any large-scale reworking with the actual structure or features of the building; the designer strategically moved a few things around and used lighter colours to complement what the space already had.
Surrounded by some of the most spectacular hill landscapes in Britain – the Brecon Beacons – this house fittingly was built as a testament to the surrounding landscape. Ty Hedfan (in Welsh, meaning hovering house) is unique, built on a site that slopes down to the meeting points of two rivers – Ysgir Fach and Ysgir Fawr. The dual design problems of a steeply sloping plot, and a no-build zone within seven metres of the river Ysgir, became an opportunity for the architectural firm Featherstone Young, which is known for having a focus on the context and area that surrounds a development. The house cantilevers over the river bank and into the canopy of the trees, almost hovering as it does.
Built as a summer house by Paul Weidlinger, the concrete pillars below form a low elevation at the higher end of the slope, but coming closer to the pond the building stilts out at such a height that the building looks like it’s floating over the pond. Open glass in the communal areas, along with the height, make this a perfect place I can imagine just sitting back and viewing nature from. The place was built back in the early 1950s, and was almost demolished until the Cape Cod Modern House Trust (CCMHT) stepped in a few years back. This is our first post back from an extended Summer break – enjoy!
This is a treat of a home, designed in the mid-20th century by the Danish architect Jørn Utzon – the very same who designed the Sydney Opera House. The house has an almost brutalist quality to it, but softened for suburbia; the roof is made up of one strong line that juts out from the flat garden – underlined with thick concrete beams.
In the featured image furniture from Denmark is featured – the country Jørn Utzon is from. I wondered whether to include this image, as it is clearly from a different time to the rest of the house. Is it the same home tour if it shows a ‘before’ picture almost disconnected to what the interior is now? However, I think it is important. The picture shows what kind of interior the architect could have expected at the time that it was being built. Two famous pieces by Arne Jacobsen are shown – the armchair on the left is a Swan chair and the group of armchairs away from the foreground are Egg chairs; what makes this interesting is the muted tones chosen for these chairs – in keeping with the house style. The photos below are shared, with permission, from The Modern House.